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Here I Stand By Paul Robeson

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Sales Rank: #65826 in Books
Published on: 1998-01-01
Released on: 1998-01-01
Original language: English
Number of items: 1
Dimensions: 8.00" h x .40" w x 5.40" l, .42 pounds
Binding: Paperback
160 pages

Amazon.com Review
No one had more to lose in following his political convictions than Paul Robeson. Here I Stand, originally published in 1958, was Robeson's response to the questions about why his mission--to win the freedom of black people everywhere--incited so much hatred and fear in his country.

Following Sterling Stuckey's 1988 introduction and Lloyd L. Brown's 1971 preface, both providing invaluable commentary, Robeson begins with his recollection of a Princeton boyhood. The roots of his world-view that would ultimately be his undoing were set down there. "Throughout his youth, Robeson's father [a pastor in the A.M.E. Zion Church] insisted on 'personal integrity,' which included the idea of 'maximum human fulfillment.'" Indeed, to list Robeson's achievements while attending university is to be in awe of a fabulously endowed man, bent on living out his father's edicts, and achieving his magnificent potential.

As his fascination with the Soviet Union grew, he began to attract the notice of McCarthy's watchdogs. He had begun to draw parallels between the Soviet social "experiment," which brought a whole underclass into the 20th century, and the emerging nations of Africa. In the early '40s, he reached the height of his performing career ("Robeson's Othello was more authentic than that of any other actor of his time"), but soon thereafter, he would set aside his brilliant career and commit fiercely to the struggle for black liberation. In 1949, it would all come crashing down, and for a decade, an ugly, active campaign against Robeson reigned, stemming not from the growing radicalization of his beliefs, but from the turning tide of cold war politics. W.E.B. DuBois, also a victim of the Communist witch-hunts noted, "He is without doubt today, as a person, the best known American on earth, to the largest number of human beings. His voice is known in Europe, Asia and Africa, in the West Indies and South America and in the islands of the seas. Children on the streets of Peking and Moscow, Calcutta and Jakarta greet him and send him their love. Only in his native land is he without honor and rights."

Lloyd L. Brown helped Robeson write Here I Stand, and he crafted the tone, which is at once accessible and impassioned, originally aimed at the black religious community. Highly idealistic, passionately exhorting, deeply committed to the "common people," this Paul Robeson gem remains a vital challenge to the racism that still dogs American society. -- Hollis Giammatteo

Review
This amazing man, this great intellect, this magnificent genius with his overwhelming love of humanity is a devastating challenge to a society built on hypocrisy, greed and profit-seeking at the expense of common humanity. -The New York Times

"[Robeson's] nobility, his language, his encouragement and his praise put me forever in his debt because it inspired me fully . . . to be like him, and to use my life as he had used his, to put into it the commitment of the liberation of his people and all people." -Harry Belafonte in Restoring Hope

"Robeson's book is a perennial, first published in 1958, and now a voice from a different time. It anticipates for black persons the 'moral support of the American majority' with an intensity that now seems evangelical. It's full of a probably tragic hope. It should be read." -The Boston Globe

About the Author
Paul Leroy Robeson (April 9, 1898 – January 23, 1976) was an American concert singer (bass), recording artist, actor, athlete, scholar who was an advocate for the Civil Rights Movement in the first half of the 20th century. He gained international attention for his work in the arts and he merged his artistic career with political activism to speak out for the equality of minorities and the rights of workers throughout the world. His friendship with the Soviet Union and the Soviet peoples plus criticism of the lack of progress in civil rights in the United States at the outset of the Cold War and during the age of McCarthyism brought scrutiny, conflict and retribution from the American government. His public persona became diminished, his income plummeted and he faced isolation from the Civil Rights Movement in the second half of the 20th century.

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