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American Youth: A Novel By Phil LaMarche
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From Publishers Weekly
Starred Review. In telling the story of New England ninth grader Ted LeClare, LaMarche takes Mitch Albom–like sincerity, holds it arm's length from George Saunders–like deadpan satire, and transports the lot to a gun-crazy America that he refuses to judge. The results make his characters unwittingly sophisticated vessels for the hopes and fears of the post-post-Columbine exurbs. The plot is simple: while showing off his .22, Ted loads the gun; while Ted's back is turned, his schoolmate Kevin Dennison accidentally kills Kevin's younger brother, Bobby. The aftermath includes Ted's being taken up by a group of boys calling themselves the American Youth, teens who spout a debased, quasireligious, gun rights, antidevelopment, NIMBY-like parody of conservative talk show rhetoric. Ted also, at his mother's direction (his father is absent), lies about having loaded the gun. As Ted (referred to as "the boy" most of the time) comes around to telling the truth about what happened, there are detours into bad behavior with the Youth. In vivid set pieces, aimless teens take vigilante action against creeping cookie-cutter housing and enforce a bizarre set of double-standards. Drugs, alcohol and sex fascinate and repel the Youth in equal measure. LaMarche deftly allows his debut to be at once a parable and a dead-on rendering of its time and place. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–Ted LeClare, a New England ninth grader, is showing off his father's guns when he hands one to visiting brothers. While he is in another room, one accidentally shoots and kills the other. Ted's terrified mother tells him not to tell the authorities that he loaded the gun. When Ted, who is referred to as the boy throughout the novel, returns to school after this violent incident, he is rejected by most classmates but is befriended by a group who call themselves American Youth. Their interests lie in vandalizing houses in the new subdivisions that are taking over the countryside. The Youth embrace gun rights, vigilante acts, and their own brand of religion that helps them rationalize their activities. As Ted begins to see the Youth for what they really are, he finally tells the truth about loading the gun and begins to feel release from his own guilt and pain. This novel is a harrowing but unsentimental look at Ted's world–an impersonal place of encroaching subdivisions and pressures to fit in, and where young people are caught between absurd double standards. The account is honest and perceptive, and readers will find themselves hoping that Ted will rise up through his anger and sadness as he wrestles with his personal dilemma of whether or not to tell the truth at great cost to himself and his family.–Susanne Bardelson, Kitsap Regional Library, WA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
"There exists, of course, no more defining American image than death by bullet," notes the Los Angeles Times. In his debut novel, Phil LaMarche ties this all-too-common image to timeless themes (coming of age, class struggle) as well as more contemporary ones (violence in children, gun control, fascism). What results is a gripping narrative that says as much about the incongruities of 21st-century America as it does about one boy thrown prematurely into the maelstrom of adult life. Despite a few flaws—some academic dialogue attributed to teens, some cardboard characters, and the practice of referring to Teddy and his family as "the boy," the father," and "the mother"—LaMarche has delivered a powerful, emotionally devastating novel.
Copyright © 2004 Phillips & Nelson Media, Inc.
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